KAHA: Eclectic, dynamic and at times confrontational
Brenda sees what KAHA has to offer as Atamira bring the old and the new to celebrate the Matariki New Year period.
KAHA – A Series of Short Works, by Atamira Dance Company
Playhouse, Gallagher Academy of Performing Arts, Hamilton, May 25 to 26
Choreographers: Moss Patterson, Jack Gray, Taane Mete, Kelly Nash, Louise Potiki-Bryant & Dolina Wehipeihana
To celebrate the Matariki New Year period, Atamira are bringing new work together with the old.
To start the evening, a pounamu gifted by musician Richard Nunns, is treasured and delivered to the front of the stage symbolizing the spirituality of the dance troupe. The group feels more inclusive – more like whanau.
Artistic director Moss Patterson in an interview on Te Karare speaks of not forgetting where you come from, but also of finding new ways to express yourself.
This is evident in the body of work that is KAHA. It is eclectic, dynamic and at times confrontational.
Mitimiti, choreographed by Jack Gray, is especially poignant as issues of colonisation and global influences are explored from an indigenous perspective. Discordant music overlaps spoken word, and bodies contort. Powerful indeed.
It is inspiring to watch patriarchs of contemporary Māori dance, Taiaroa Royal and Jack Gray, bring their depth and experience to Atamira.
The dancers individually possess strength, not only physical, and this is obvious in their movement. Bianca Hyslop, in Piata, embodies the spirit of the mythical Patupairehe (fairies) who dwell in the fringe between darkness and light
A shout out to Nancy Wijohn who has quite the stage presence – it’s not surprising she started her career as an athlete.
Moko, a homage to Ta Moko artists and inspired by the work of Inia Taylor, explores the rite of passage and the intricacies of this ancient art form. Dancers movements swirl like moko design.
Long time musical collaborator Paddy Free works his magic in Ngai Tahu 32, a mesmerising piece by Louise Potiki-Bryant. The music throughout is as eclectic as the dance, from alt contemporary, drum ’n’ bass to classical. There is also a nod to 80s dance hit Poi E.
As the dancers leave the stage a beautiful mihi from an audience member acknowledges the gift they have left us with. I, for one, feel very blessed.
Thank you Atamira.
This review first appeared in Theatreview
